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Morán Morán is pleased to present an exhibition of new work by Los Angeles-based artist Eve Fowler. Titled Days of 2024, Fowler’s second solo exhibition with the gallery comprises two distinct yet connected bodies of work, including painting and video installation. The exhibition expands on Fowler’s ongoing concerns–visibility, language, and cultural biases as they relate to gender politics and queerness.
The final element of this exhibition is Labor (2023)–a nine-channel video installation filmed by Eve Fowler, Mariah Garnett, and Lucas Michael; edited by Rhys Ernst; and color corrected by Olivia Ambrosia Taussig-Rees; that is comprised of twenty videos presented on nine flat-screen monitors. The viewer enters the immersive installation and is surrounded by tightly framed images of artists’ hands at work—painting, burning, drawing, and carving. The cycle of videos is an archive of the creative labor of twenty multi-generational women–Kelly Akashi, Isabelle Albuquerque, Lita Albuquerque, Leilah Babirye, Fiona Connor, Jean Foos, Aimee Goguen, Samara Golden, Kate Hall, Jennie Jieun Lee, Siobhan Liddell, Nevine Mahmoud, Reverend Joyce McDonald, Liliana Porter, Adee Roberson, Ana Tiscornia, Sara VanDerBeek, Uman, Faith Wilding, and Rosha Yaghmai–and foregrounds what a largely patriarchal and capitalist art world so often ignores, obscures, and erases: the work, experience, and contributions of women.